Cinematic Discourse as a Polycoded and Multimodal Phenomenon
https://doi.org/10.35854/2541-8106-2021-3-52-57
Abstract
This article is devoted to the study of polycoded and multimodal nature of the cinematic discourse as a semiotically heterogeneous phenomenon. The cinematic discourse is interpreted as a complex integrated socially and culturally conditioned mental-communicative phenomenon that is characterized by a combination of lingual and non-lingual codes in its structure and is polycoded and multimodal by its nature. The paper analyzes the main approaches to the interpretation of the cinematic discourse as a creolized / polycoded / multimodal formation, proves the assumption that the cinematic discourse cannot be considered creolized, as it consists of more than two code systems that are in complex interaction aimed at constructing the meaning. The polycoded nature of the cinematic discourse focuses on the combination of several code systems attracted by filmmakers to construct the meaning. The multimodal nature of the cinematic discourse emphasizes its dynamic character and focuses on the addressee considering his cognitive and social features. The combination of different semiotic systems conduces to the film meaning construction.
Keywords
cinematic code,
creolized text,
cinematic text,
cinematic discourse,
code,
mode,
multimodal,
polycoded,
sign,
verbal text
About the Author
O. B. Palvanov
Saint Petersburg University of Management Technologies and Economics
Russian Federation
Russian Federation
References
1. Ворошилова М. Б. Креолизованный текст: кинотекст // Политическая лингвистика. 2007. Вып. 22 (2). C. 106–110.
2. Анисимова Е. Е. Лингвистика текста и межкультурная коммуникация (на материале креолизованных текстов). М.: Academia, 2003. 124 с.
3. Слышкин Г. Г., Ефремова М. А. Кинотекст (опыт лингвокультурологического анализа). М.: Изд-во «Водолей», 2004. 153 с.
4. Эко У. Отсутствующая структура. Введение в семиологию. СПб.: Симпозиум, 2006. 540 с.
5. Лотман Ю. М. Семиотика кино и проблематика киноэстетики. М. Лотман. Таллин: Ээсти Раамат, 1973. 140 с.
6. Лавриненко И. Н. Стратегии и тактики мены коммуникативных ролей в современном англоязычном кинодискурсе: дис. … канд. филол. наук. Харьков, 2011. 260 с.
7. Сонин А. Г. Моделирование механизмов понимания поликодовых текстов: дис. … д-р филол. наук. М., 2006. 310 с.
8. Metz Ch. Film Language: A Semiotics of the Cinema. Chicago : Chicago Press, 1991. 267 p.
9. Халлидей М. А. К. Язык как социальная семиотика: социальная интерпретация языка и значения. London: Edward Arnold, 1978. 256 p.
10. Бейтман Дж. А., Шмидт К.-Г. Мультимодальный анализ фильмов. Как фильмы означают. Лондон и Нью-Йорк: Routledge, 2012. 330 р.
11. Kress G., Jewitt C., Ogborn J., Tsatsarelis C. Multimodal Teaching and Learning the Rhetorics of the Science Classroom. London: Bloomsbury, 2014. 230 p.
Review
For citations:
Palvanov O.B. Cinematic Discourse as a Polycoded and Multimodal Phenomenon. Uchenye zapiski St. Petersburg University of Management Technologies and Economics. 2021;(3):52-57. (In Russ.) https://doi.org/10.35854/2541-8106-2021-3-52-57
Views:
316
Email this article 